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Topic: What are your fav non-MO albums?< Next Oldest | Next Newest >
ex member 892 Offline




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Posted: April 16 2010, 15:03

Quote (larstangmark @ April 15 2010, 16:08)
Quote (Syd B @ April 15 2010, 12:39)
I received King Crimson's Red in the mail yesterday. Damn! There's one to add to the list.

the title track is so good it´s just...too much.

I know, man. And that HUGE chord he plays... wow.
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nightspore Offline




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Posted: April 16 2010, 23:01

My list will seem odd. I generally only listen to Mr O's music now. I have a vast library of music that I mostly completely ignore, preferring to play isolated tracks on my computer (such as Dario G's "Sunchyme", Mason and Fenn's "Malta" and Oasis's "Whatever").

However:

Coldplay - X and Y
Coldplay - Viva la Vita
Youth Group - Urban and Eastern
Youth Group - Skeleton Jar
Youth Group - Casino Twilight Dogs
Youth Group - The Night is Ours
Four Jacks and a Jill - Master Jack
Four Jacks and a Jill - Fables
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Drealm Offline




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Posted: April 18 2010, 01:01

Sure there is a lot, but I will only state those I really love beside Mike (no particular order):

Glenn Stafford - Warcraft II Soundtrack

The Prodigy - Always Outnumbered, Never Outgunned

Therion - Sirius B

Ozric Tentacles - The Hidden Step

Nobuo Uematsu - Phantasmagoria

Estradasphere - Buck Fever

Ministry - The Mind Is A Terrible Thing To Taste

Stephane Pompougnac - Hotel Costes #8

Enya - The Celts

Dead Can Dance - Within the Realm of a Dying Sun

Cypress Hill - IV
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larstangmark Offline




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Posted: April 18 2010, 06:35

Quote (Drealm @ April 18 2010, 01:01)
Therion - Sirius B

I just have to share an anecdote;
It was early 1991/late 1990 in Norrköping, Sweden. I was guesting as a bass-player with a death-metal band called Traumatic and we shared a bill with Grave, Afflicted and Therion. Afflicted was the last band to arrive for soundcheck and they did stand out because of their clothes - new black leather jackets, those expensive (and butt-ugly!) Mad Max boots and barely used band T-shirts. Most of us others just had jeans, T-shirt and worn trainers (cheap and convenient death metal fashion!). They were nice people though.
I remember Christopher being very friendly with the press, willingly giving "satanism" a name and coming across as a very serious, educated and religious person despite being in his late teens. Most of the other people in those bands were very working class, and for most part atheist. So Christopher stood out.
I guess he had decided to become big with Therion, and they sure did. I haven't heard much of their music since their death metal days though.
Lars T


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Drealm Offline




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Posted: April 18 2010, 15:10

Quote (larstangmark @ April 18 2010, 06:35)
Quote (Drealm @ April 18 2010, 01:01)
Therion - Sirius B

I just have to share an anecdote;
It was early 1991/late 1990 in Norrköping, Sweden. I was guesting as a bass-player with a death-metal band called Traumatic and we shared a bill with Grave, Afflicted and Therion. Afflicted was the last band to arrive for soundcheck and they did stand out because of their clothes - new black leather jackets, those expensive (and butt-ugly!;) Mad Max boots and barely used band T-shirts. Most of us others just had jeans, T-shirt and worn trainers (cheap and convenient death metal fashion!;). They were nice people though.
I remember Christopher being very friendly with the press, willingly giving "satanism" a name and coming across as a very serious, educated and religious person despite being in his late teens. Most of the other people in those bands were very working class, and for most part atheist. So Christopher stood out.
I guess he had decided to become big with Therion, and they sure did. I haven't heard much of their music since their death metal days though.
Lars T

Thanks for sharing this. The way you describe Christopher is mainly how I imagined him. I never spoke to him directly, just saw him at a Therion show.

Therion is in fact my favorite metal band. Before even knowing Mike's music, in my early teenage years I was mainly into metal, death metal, etc; but Therion came later in my life, way after I discovered other music than metal. So the years have passed, and now at 30 y/o, Therion is my best metal band ever.

I like all their albums after their death metal first two albums! They changed so much now that when I tried to discover their death-metal-firsts-albums, I didn't liked them.

Now a new album is on the way, and I patiently wait for it.
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larstangmark Offline




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Posted: April 19 2010, 03:50

Quote (milamber @ April 15 2010, 04:51)
If your just going to D/L a few tracks get
Lay Your Hand On Me
Right on Right
The Returning of the Wish  :)
Sympathy for the Human

Happy Listening

Those Sammy Hagar tracks weren't my cup of tea actually. Nice guitarplaying on "Returning of the Wish" though, but as I think Sammy is too much of a "pro" rock singer for my taste.

Suppose I forgot to mention one of my all time favorite albums:

Chrome: "Into the Eyes of the Zombie King" from 1984. It sounds like nothing else.


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Milamber Offline




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Posted: April 19 2010, 04:00

Great you took the time anyway Lars
:)
Will return the favor with Zombie King.

BTW Anybody tell me whats the Best Gong album to try first Cheers.
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larstangmark Offline




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Posted: April 19 2010, 07:30

Quote (milamber @ April 19 2010, 04:00)
Great you took the time anyway Lars
:)
Will return the favor with Zombie King.

BTW Anybody tell me whats the Best Gong album to try first Cheers.

I'd say start with "You". It has both top musicianship and psychedelic craziness. The best of both worlds. It covers a vast array of styles but still retaining a sort of unity. Be sure to listen to it loud.

The albums after "You" are more jazz/fusion albums which I like a lot, but it's nowhere near as excentric (or exciting) as the original band. "Camambert Electrique" and "Continental Circus" are a bit rudimentary. "Angel's Egg" and "Flying Teapot" are almost as good as "You".


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"There are twelve people in the world, the rest are paste"
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The Caveman Offline




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Posted: April 19 2010, 08:35

I'd say You is a good starting point but to get the whole Flying Tea Pot/Pot Head Pixies philosophy you really need to start at Flying Tea Pot and then onto Angels Egg and then progress to You.My favourite band at the moment.
With the band at that time having Daevid Alan,Steve Hillage,Pierre Moerlin and Tim Blake what's not to like?


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larstangmark Offline




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Posted: April 19 2010, 09:44

Quote (The Caveman @ April 19 2010, 08:35)
I'd say You is a good starting point but to get the whole Flying Tea Pot/Pot Head Pixies philosophy you really need to start at Flying Tea Pot and then onto Angels Egg and then progress to You.My favourite band at the moment.
With the band at that time having Daevid Alan,Steve Hillage,Pierre Moerlin and Tim Blake what's not to like?

"What's not to like" is a giveaway to critics who will propably say "Gilli Smythe's space whisper". I know some people can't tolerate her vocals. To me they're a natural part of the Gong sound of course.
Lars T


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nightspore Offline




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Posted: April 19 2010, 09:47

Quote (larstangmark @ April 19 2010, 09:44)
Quote (The Caveman @ April 19 2010, 08:35)
I'd say You is a good starting point but to get the whole Flying Tea Pot/Pot Head Pixies philosophy you really need to start at Flying Tea Pot and then onto Angels Egg and then progress to You.My favourite band at the moment.
With the band at that time having Daevid Alan,Steve Hillage,Pierre Moerlin and Tim Blake what's not to like?

"What's not to like" is a giveaway to critics who will propably say "Gilli Smythe's space whisper". I know some people can't tolerate her vocals. To me they're a natural part of the Gong sound of course.
Lars T

I'm no Gong fan, but I think Shamal is better than the teapot set. It also has excellent production by Nick Mason.
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The Caveman Offline




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Posted: April 19 2010, 10:04

Fair enough but they were essentially a different band by then.Hillage and Alan were an integral part up till that point.Still good but not really the same band.

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larstangmark Offline




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Posted: April 19 2010, 12:52

Why are all Nick Mason's production jobs so seldom talked about? He was a rather integral part of Robert Wyatt's classic album Rock Bottom, and most of the time he's not even mentioned in the reviews or articles.
I don't remember where I read it but Nick was the one who insisted things would be done differently, i e hitting ashtrays for percussion instead of drumkits etc.
I feel Nick Mason is the bullied Floyd.  :(
Lars T


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The Caveman Offline




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Posted: April 19 2010, 12:56

I know he did a damn fine job on Steve Hillage's Green.
I agree that he's kind of Floyd's Ringo,but by his own admission he's been very lucky cos he's not the best drummer around and has often needed help.On both The Wall and Momentaty Lapse a lot of the trickier parts are played by session men and his timing's not the best.But he sported the best tache of any of Floyd in the early 70's! :laugh:


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larstangmark Offline




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Posted: April 19 2010, 15:15

Quote (The Caveman @ April 19 2010, 12:56)
I know he did a damn fine job on Steve Hillage's Green.
I agree that he's kind of Floyd's Ringo,but by his own admission he's been very lucky cos he's not the best drummer around and has often needed help.On both The Wall and Momentaty Lapse a lot of the trickier parts are played by session men and his timing's not the best.But he sported the best tache of any of Floyd in the early 70's! :laugh:

Funny that the Floyd had two members who were mediocre at playing the respective instruments and still they were competing with ELP, Yes and Genesis!
It was those two members who laid down the backing tracks form Atom Heart Mother on their own (just bass+drums) in one take. I understand Ron Geesin found it problematic  :laugh: As much as I love the early Floyd I realize they were limited by their own level of musicianship, and perhaps this is why they went for sound and atmosphere instead of complex compositions.

Apparently Nick can't handle complex time signatures and such, so I guess the band eventually outgrew him so to speak. But on the other hand, he seemed to be genuinely interested in music. Nick was hanging out with cool musicians like Carla Bley when Roger Waters was propably hanging out with himself and his ego. I bet Roger Waters doesn't know who Carla Bley is.
Lars T


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Sir Mustapha Offline




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Posted: April 19 2010, 15:53

Quote (larstangmark @ April 19 2010, 12:52)
I feel Nick Mason is the bullied Floyd.  :(

The most interesting thing, though, is that Nick Mason is the ONLY Pink Floyd member to have appeared in all Pink Floyd albums. Bullied or not, he can have the privilege of calling himself the sole original member of the band. :)

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larstangmark Offline




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Posted: April 19 2010, 17:46

Quote (Sir Mustapha @ April 19 2010, 15:53)
Quote (larstangmark @ April 19 2010, 12:52)
I feel Nick Mason is the bullied Floyd.  :(

The most interesting thing, though, is that Nick Mason is the ONLY Pink Floyd member to have appeared in all Pink Floyd albums. Bullied or not, he can have the privilege of calling himself the sole original member of the band. :)

Nick stopped doing drum solos in 1970. I think that's part of the explanation. And he doesn't want his songs on the albums. He doesn't even have to play the drums! :p
(but hell I wonder if anyone played on their own albums in 1987).


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ex member 892 Offline




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Posted: April 19 2010, 18:29

Quote (larstangmark @ April 19 2010, 15:15)
Funny that the Floyd had two members who were mediocre at playing the respective instruments and still they were competing with ELP, Yes and Genesis!
It was those two members who laid down the backing tracks form Atom Heart Mother on their own (just bass+drums) in one take. I understand Ron Geesin found it problematic  :laugh: As much as I love the early Floyd I realize they were limited by their own level of musicianship, and perhaps this is why they went for sound and atmosphere instead of complex compositions.

None of the Floyds are very technically good at their instruments (Rick was actually probably the best), but they always had a certain feel to their playing, even Roger (I think those swooping octave lines are actually pretty cool). And obviously Gilmour can make a roomful of men cry with his playing. So I think that is the key to their success. And of course the lyrics and cool concepts.
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Sir Mustapha Offline




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Posted: April 19 2010, 21:18

Quote (Syd B @ April 19 2010, 18:29)
And obviously Gilmour can make a roomful of men cry with his playing.

"God, 29 minutes of Comfortably Numb and still going? PLEASE, MAKE IT STOP!"

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ex member 892 Offline




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Posted: April 19 2010, 21:28

Aw c'mon man, I love that solo, especially the live versions! For me at least Gilmour has the rare quality of being able to play extremely long solos without sounding... shall we say... widdly-widdly.
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