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Topic: Wailing Vololid Voice on Resolution, Do you like it?< Next Oldest | Next Newest >
Alan D Offline




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Posted: Oct. 11 2005, 09:16

Quote (Chicular @ Oct. 11 2005, 12:37)
The melody is what makes the tune!

Are you sure it's not the other way round? If a tune is just a succession of pleasant-sounding notes, then a melody would be what you get when a tune (or tunes ) is developed into a coherent whole.

(In case anyone is foolish enough to think I know what I'm talking about, let me disillusion them immediately! I'm just trying to make sense of the dictionary! )
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bee Offline




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Posted: Oct. 11 2005, 15:17

Quote (Alan D @ Oct. 11 2005, 11:46)
Merriam-Webster dictionary says this:

Tune: a succession of pleasing musical tones or a dominant theme
Melody: 1. a sweet or agreeable succession or arrangement of sounds or
2. a rhythmic succession of single tones organized as an aesthetic whole

The first meaning of 'melody' is identical to the meaning of 'tune'. But the second meaning is I think what bee is talking about.

Yep, that's exactly what I was wanting to say. What a marvellous book.Thanks!

bee :)


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raven4x4x Offline




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Posted: Oct. 12 2005, 03:10

Whatever the technical definition of tune/melody is, I agree that resolution could use one. However, getting back to the original topic, I don't mind the big voice. It's probably the most interesting aspect of the track.

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Sir Mustapha Offline




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Posted: Oct. 13 2005, 12:57

Quote
This illustrates my previous point perfectly by the way. I think TSODE is wonderfully rich in melody. In particular, Let There Be Light has for me the single most unforgettable and most profoundly moving melody in the whole of Mike's oeuvre.


*Amarok pokes Alan D on the arm and reminds him that the melody originally came from him*

So full of himself!


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Alan D Offline




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Posted: Oct. 13 2005, 17:37

Quote (Sir Mustapha @ Oct. 13 2005, 17:57)
*Amarok pokes Alan D on the arm and reminds him that the melody originally came from him*

Is that true? As you know, I'm neither the world's greatest expert on Amarok, nor even a sympathetic listener!! Which bit?

Even if that is so (I presume I missed it because of my cloth-eared nincompoopness?), surely it's only in TSODE that it finds its full, most magnificent expression?
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raven4x4x Offline




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Posted: Oct. 13 2005, 19:51

Quote (Alan D @ Oct. 14 2005, 06:37)
Is that true? As you know, I'm neither the world's greatest expert on Amarok, nor even a sympathetic listener!! Which bit?

Even if that is so (I presume I missed it because of my cloth-eared nincompoopness?), surely it's only in TSODE that it finds its full, most magnificent expression?


You're right Alan, it certainly isn't a major theme in Amarok. It only gets played twice, somewhere in the middle, I can't quite remember where. Certainly no-where near it's impact in TSODE.


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TubularBelle Offline




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Posted: Oct. 13 2005, 23:16

I must be a cloth eared nincompoop as well then because Amarok and TSODE are two of my favourite albums and I never picked up on that either.

Not to sound derogatory to those people who can pick up on these things at all, but when I listen to an album, that is all I listen to and all I focus on. To be able to go, oh this bit has been taken from there, or this has similar qualities to that etc, implies to me that you are listening to it on more of a technical level rather than an emotional level. A level that I have never reached that's for sure. After many years, I still can barely play a piece of Mikes music, although instantly familiar, and name the album or section that is has come from.


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raven4x4x Offline




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Posted: Oct. 14 2005, 06:49

Quote (TubularBelle @ Oct. 14 2005, 12:16)
Not to sound derogatory to those people who can pick up on these things at all, but when I listen to an album, that is all I listen to and all I focus on. To be able to go, oh this bit has been taken from there, or this has similar qualities to that etc, implies to me that you are listening to it on more of a technical level rather than an emotional level. A level that I have never reached that's for sure. After many years, I still can barely play a piece of Mikes music, although instantly familiar, and name the album or section that is has come from.


I wouldn't say that. Amarok is my favourite album because of the emotional impact it has on me, I'm certainly not listening to it on a mostly technical level. I just heard that little melody (I would bound to notice it after listening to the album so many times) and thought "I recognise that". I also listen to TSODE quite a lot, so it didn't take long to realise where I'd heard it first.


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Alan D Offline




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Posted: Oct. 14 2005, 07:37

I've just spent an hour listening again to the devilish torment that is Amarok, and failed completely to hear the 'Let there be Light' tune.

Can someone tell me at what time it occurs? I can't sit through the whole thing again without a long rest.....
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Holger Offline




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Posted: Oct. 14 2005, 07:54

Off the top of my head, I can think of one instance in Amarok where this tune appears, though there may be more, but I think that the harmonies are different, and also the instrumentation is completely different. I wouldn't go as far as saying it's the same thing as on Let There Be Light.
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raven4x4x Offline




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Posted: Oct. 14 2005, 08:31

OK, Alan, after flicking through it to remember where it is, I've found it. The tune is played twice, starting at 8.37. It's definately there, but like Holger said it is very different in instrumentation and almost everything else.

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Alan D Offline




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Posted: Oct. 14 2005, 09:28

Quote (raven4x4x @ Oct. 14 2005, 13:31)
The tune is played twice, starting at 8.37.

Nice one Alex. A good one to try on April 1st!


Seriously, though - at 8.37? I can't hear anything even remotely resembling Let There Be Light. Are you sure 8.37 is right?
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Sir Mustapha Offline




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Posted: Oct. 14 2005, 12:41

It's the exact same tune. It's even in the same key. Only in TSODE it's played on the Mike Oldfield Patented Guitar Tone #3 ™, and on Amarok, it's played on a penny whistle.

I just found it odd/funny that a melody that is so small, insignificant in Amarok, overshadowed by much more divine and memorable material, becomes a major highlight on The Songs Of Distant Earth. There are two possibilities: either the tune is, indeed, outstandingly fantastic, or TSODE is just an ocean of nothing. And if you say it's the former, then indeed, Amarok is the goddamn best album ever made. :)


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Alan D Offline




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Posted: Oct. 14 2005, 13:49

I'm sitting here laughing... yes, Ok, thanks Sir M, I hear it now - that little twiddle on the penny whistle - yes, I see now that it is indeed a fragment of the same sequence of notes.
Surely all that's happened here is that Mike hasn't (in Amarok) seen the potential of that fragment. But he does in TSODE (perhaps not even realising that he's already used that sequence in a minor role in Amarok).

The way the tune is used in TSODE is crucially important I think. The sequence (on guitar) sets off a kind of hanging question, which is then 'answered' by the next guitar line (which I think is NOT in Amarok). The little twiddle in Amarok on the whistle doesn't have that 'hanging' quality - it remains just a twiddle - I don't know why that is. Maybe someone with a knowledge of music theory can explain? In TSODE what we might call the architecture of the melody is entirely different.

Maybe here we are hitting bee's point about the difference between tune and melody. The tune is the same in both cases (as far as it goes), but it's the melody that counts?
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Sir Mustapha Offline




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Posted: Oct. 14 2005, 14:22

Quote
Surely all that's happened here is that Mike hasn't (in Amarok) seen the potential of that fragment. But he does in TSODE (perhaps not even realising that he's already used that sequence in a minor role in Amarok).


That's the unbiased way to look at it. :) I wonder... it is possible that Mike didn't remember using that melody already (didn't he keep all his ideas in little pieces of paper in a jar, and then he picked one up randomly and worked with it?), but then again, he was always a fan of quoting himself - see the similar link between 'Cochise' in Guitars and 'Jewel In The Crown' in Tubular Bells III.

There definitely is a difference in the way the tune is used. In Amarok, it's a counterpoint to the main, ascending guitar melody in the foreground. It's a contrasting colour. In 'Let There Be Light', it's part of the main melody - a call-and-response between two different parts.


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TOBY Offline




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Posted: Oct. 14 2005, 14:59

But Mike is famed for repeating himself and not just with TB type piano tunes. He quite often uses variations on a certain melody through seperate albums. I don't think there is anything weird at all in the fact that a tiny bit of Amarok is used in a different form in TSODE. Is it not little touches like this that give him his signature sound and compostional character? Its certainally one of the reasons I love his music so much, beat heavy eletronica aside obviously     ;)
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Alan D Offline




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Posted: Oct. 14 2005, 15:26

Quote (TOBY @ Oct. 14 2005, 19:59)
I don't think there is anything weird at all in the fact that a tiny bit of Amarok is used in a different form in TSODE.

Oh I entirely agree - actually, I agree with everything you said there. Those trademark self-quotations are indeed part of the reason the music haunts me, and it's not weird at all.

The weird thing is that what started life as an almost unnoticeable countermelody in Amarok should later turn into one of the most profoundly moving themes in the whole of Mike's oeuvre. That takes some explaining! (Not sure I want to explain it, really! )
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Sir Mustapha Offline




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Posted: Oct. 14 2005, 16:34

Quote (TOBY @ Oct. 14 2005, 14:59)
Is it not little touches like this that give him his signature sound and compostional character?

Erm, uh... yeah, err... I guess so. :/

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raven4x4x Offline




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Posted: Oct. 14 2005, 21:15

Really, any tune from Amarok could have been expanded into the basis of an album. I know he could have made a lot more of that melody on Amarok if he had wanted to. Perhaps he was saving it for later.

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Baggiesfaninessex Offline




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Posted: Oct. 15 2005, 14:03

Quote (Alan D @ Oct. 14 2005, 15:26)
That takes some explaining! (Not sure I want to explain it, really! )

Perhaps after a wee dram of Ardbeg?


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