nightspore
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Posted: Mar. 28 2009, 07:16 |
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Quote (Ugo @ Mar. 27 2009, 21:31) | \
As for the fifth ring, I always do it like this, so you can do it too:
- When you are in the dolphins game, look for the static dolphin avatar near the water's surface (the one mentioned by A.R. Schulz above here). Do not grab him, or, if you do, let go of him. Instead, shoot him without shooting any of the others. |
Thanks, Ugo. As I say, finding the static dolphin is my main problem. The trouble is, the others leap about as though there were no tomorrow, carrying me with them! New-age thuggery, if you ask me!
As I think you said in one of your earlier posts, Tres Lunas has a very different feel from Maestro. It would be interesting to start a discussion about how this seems to be reflected in the progression of MO's music itself. What I mean is that while Tres Lunas is rich and exuberant, Maestro is all about emptiness, great caverns of solitude, and the final goal - Mike's World - contains a tombstone! And Light and Shade has that same feel of absence and loss as well. I hasten to add that these qualities give Maestro a fascination for me; I wouldn't have it any other way.
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