New Incantation
Group: Members
Posts: 85
Joined: Sep. 2007 |
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Posted: Sep. 09 2007, 05:18 |
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Quote (BTH @ Feb. 15 2006, 03:16) | Part 4 is possibly my favourite 17 minutes of Mike Oldfield's music... The beginning is so subtle and ominous, the big bass drum sounds building dramatically to the incredibly pure vibraphone section.
The melody and rhythm of this passage always gets me - I can never quite get my head around it and I think thats why I love listening to it so much - I always hear something different. The guitars joining at around 3:35 is one of those shiver inducing moments and it delivers every time. Meanwhile the synth backing is gradually building, playing really unusual chords. The tension builds and builds with the yearning, wrenching quality of the guitar getting more intense. Then everything drops away leaving the vibes ringing alone. They are quickly rejoined by the synths then a beautifully lyrical bass guitar starts in the background. The tension starts building again and waves of synth rise to the surface... I really don't get it when people say that this section is repetitive - there is so much going on behind the intricacy of the vibraphones.
I love the little synth flourish that shatters the tension and introduces the bass, fuzzy guitar, bodhran and sleighbells section then when the gorgeous guitar solo kicks in I'm absolutely elevated - again mad synth chords in the background that really create an edgy feeling.
Probably my very favourite bit is the synths replaying the vibraphone theme and the addition of elements to it - the rhythm is just so driving and the whole thing just picks up a huge forward momentum until the guitar solo arrives like a wave breaking leading into the huge synth climax which is a restating of the main theme (as sung by the choir at the start of part one) in a different key...
Then Ode To Cynthia breaks all the tension with it's lovely warm marimba sound, building synths and voices. When the synth melody kicks in at 14:00 I always get a lump in my throat - it sounds so melancholy and forlorn - but its quickly swept up towards the vocal section by an all too short, skirling guitar break. I always find the sung part extremely uplifting and Maddy Prior's voice realy shines, singing a fairly difficult melody. I love how the final line is echoed and stretched. That and the way the final climax slows down towards the graceful conclusion is a really satifying way to finish the album, especially with the strange chord that rounds it all off!
Overall I really believe that it's Mike's most accomplished piece of composition - it's intricate and adventurous and by no means a casual listen, but it repays close attention with huge emotional impact and aural satisfaction...
As you may have guessed I like it quite a lot! :-) |
..my sentiments precisely!
Incantations, is my favourite MO album so far. It is so inspirational, emotive and totally lifts my spirits when things are going so good.
But Part Four, is total Lift Off, for me, and BTH's comments precisely matched my own thoughts in every way. Part Four followed by Part One, Three and then Two.
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