Korgscrew
Group: Super Admins
Posts: 3511
Joined: Dec. 1999 |
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Posted: Aug. 01 2003, 04:09 |
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You can read it online here - http://www.guardian.co.uk/online/story/0,3605,1008870,00.html
I particularly like the 'couple of comments' bit...I mean, come on Mike, there are pages of them here, there were a load on the Amarok mailing list, loads on the German fan forum I looked at and I've got a whole folder full of emails sent to me about it. I've never seen so many complaints about the manufacturing quality of one of his albums (especially when combined with the numerous other manufacturing mistakes made).
It's easy to say that people aren't buying records because it's so easy to copy them. I actually think that the issue is far more complex than that (indeed, there are even some analyses of the figures which reveal that the record industry isn't losing nearly as much as they may want to make people believe). Yes, various illegal methods of gaining music are going to be having an effect, I'm not going to deny that, but also to be considered is the general attitude of the record industry. Perhaps people just aren't interested in buying the watered down trash which they're attempting to shove down the public's throats, just the same as the way people have been deserting places like McDonalds in droves. McDonalds have had the business sense to change their product range to suit demand...what are the large record companies doing to move with public demand?
Mike is totally, totally wrong in thinking the reason that people are complaining is because they can't make 50 copies of the album for all and sundry. I'd like to see him stand face to face with those people whose players have been damaged by his album, and tell them that their problem is that they just want to break the law. Does he really not get it? People are complaining because they can't play the album! Anyone who wants to make 50 copies of the album will be able to do so easily...anyone that determined to make a copy will go round to all their friends who have computers until they find one which will copy the disc (and by all accounts, it seems like about 50%, maybe more, maybe less, will do so happily). Mike's statement that it won't copy digitally is completely false - I can arrange for a demonstration if he likes, as I know of plenty people who have had no trouble at all (indeed, I think I could have sorted out a way myself. Why didn't I? Because if you want me to duplicate CDs, you either have to be a friend or a client, as well as being the copyright owner. If Warner want me to correct the corruptions in their CDs so they play properly, I'll do so happily, but I'm not going to pay them for the priveledge - they're going to have to pay me).
So Mike, I congratulate you on so confidently accusing your fans of being nothing but a bunch of mass-pirating thieves. Some people may remember that next time they consider whether to buy yet another repackaged edition of something from your back catalogue. Some of us may even bear it in mind when considering whether or not to buy your future releases.
P.S. does anyone want to buy a cheap copy of Tubular Bells 2003? Only, I've got 50 of them here and...
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