Fast Riff Intro |
1. |
00:01 |
00:27 |
'fast riff intro' on acoustic guitar, with vocoder'd male vocal (indistinct), pre-emptive of theme A. |
2. |
00:27 |
00:51 |
Theme A on 12 string + synth (guitar?) dischords (Theme A) and electric guitar weird FX w/feedback |
3. |
00:51 |
01:42 |
3 cymbal hits leading to version of fast riff with slightly different harmonies, on acoustic guitar, with softer version of A on wah guitar, about ten seconds in, and occasional piano bass notes and reprise of vocoder in first part (01:19 onwards) |
4. |
01:42 |
01:55 |
Same joined by glockenspiel (?) and cymbals, with synth chords in background. |
5. |
01:55 |
02:09 |
Theme A on wah guitar, w/vocoder again and acoustic in background slowing down into: |
6. |
02:10 |
02:17 |
Theme B (Fast Waltz) flamenco-style on acoustic guitar with hand-claps (bodhran?) in background, held synth notes. |
7. |
02:17 |
02:23 |
Hand claps still, bass guitar tune (version of Theme B). |
8. |
02:23 |
02:33 |
Ritardando on synths, fast (tom tom) drum beats into brushed snare, into: |
Intro |
9. |
02:33 |
02:44 |
New tune (Theme C) on female vocal (distant at first), with African style drum rhythm (bodhran) and synth chords. |
10. |
02:45 |
03:05 |
Theme C + 'Happy?' and secondary tune on guitar. |
11. |
03:05 |
03:21 |
Theme C part 2 + new guitar tune (Theme D) (+Happy?) |
12. |
03:21 |
03:29 |
Theme C part 3 |
13. |
03:29 |
03:45 |
Back to part 1 of Theme C (with echo) |
14. |
03:45 |
03:53 |
Theme C with synth/guitar dischords (similar to 2) |
15. |
03:53 |
04:00 |
+ Theme D finishing with slide into |
16. |
04:00 |
04:09 |
Part 3 of Theme C with more prominent synth chords and Happy? |
17. |
04:09 |
04:17 |
Descending vocal pattern (Theme C part 4) |
18. |
04:17 |
04:20 |
+dischordant guitar/synth in rising pattern. |
19. |
04:20 |
04:25 |
Theme C part 4 resolves to major, and back to: |
20. |
04:25 |
04:34 |
New guitar tune (variation of A) over C |
21. |
04:34 |
04:41 |
A variation drops out, +Happy? |
22. |
04:41 |
04:50 |
C4 with similar guitar tune (as it) over top. |
23. |
04:50 |
04:57 |
C4 without guitar |
24. |
04:57 |
05:04 |
as 19, but with guitar over top again. |
25. |
05:04 |
05:13 |
Theme D on distorted guitar, over C1. |
26. |
05:13 |
05:33 |
Rising guitar tune (another variation of A), with synth dischords, with 'Happy?', becoming more frantic into: |
27. |
05:33 |
05:45 |
Deep bass drum stroke giving way to vocals solo, with piano playing staccato chords. |
Climax I - 12 String |
28. |
05:45 |
06:19 |
'Laugh' into Theme C climax on solo electric guitar, with 12-string acoustic chords and echoed handclaps (occasional) into: |
Soft Bodhran I |
29. |
06:19 |
06:40 |
Analogue bass drum/cymbals pattern with high, fast synth/bell notes and FX, and a quiet chordal pattern. |
30. |
06:40 |
07:00 |
Chordal pattern on synth more prominent (pre-emptive of Theme E) |
31. |
07:00 |
07:21 |
+new tune on guitar (Theme E) |
Rachmaninov I |
32. |
07:21 |
07:39 |
Theme E on piano and guitar, with scraper (or brushed snare). |
Soft Bodhran II |
33. |
07:39 |
07:59 |
similar to 31 with rising pentatonic scale on guitar leading into: |
Rachmaninov II |
34. |
07:59 |
08:17 |
As 32, with slightly more prominent guitar. |
35. |
08:17 |
08:35 |
+Descending bass notes (piano + guitars) with cymbals, and screaming guitar (solo) over top |
Roses |
36. |
08:35 |
08:42 |
Acoustic guitar tune (C variation) with new Theme F on penny whistle (LTBL tune) + synth |
37. |
08:42 |
08:49 |
Secondary tune on steel-stringed guitar leading to: |
38. |
08:49 |
09:02 |
as 36 and 37 |
39. |
09:02 |
09:07 |
Electro-acoustic variation of F. |
40. |
09:07 |
09:16 |
Theme A on electric guitar with piano chords |
41. |
09:16 |
09:21 |
C variation on acoustic steel string. |
42. |
09:21 |
09:29 |
Theme A on electric guitar, with modulation into: |
43. |
09:29 |
09:43 |
Theme F variation on organ, call-and-response style phrase with guitar and organs. |
44. |
09:43 |
09:56 |
as above, but with guitar soloing Theme F over it. |
45. |
09:56 |
10:24 |
Vocoder'd vocals and choir (Sondela), with v.prominent percussion (toms, cymbals, BD, poss. bodhran/conga), and quietly held synth notes in background. |
Reprise I - Intro |
46. |
10:24 |
10:24 |
New guitar tune (variation of F), with louder, distorted chords at beginning, middle, and end, with percussion underneath (sticks, finger cymbals). |
47. |
10:42 |
11:00 |
12/8 section - Bass guitar solo (C variation), over variation of Theme C on penny whistle and guitars, with bodhran/cymbals/bass drum providing rhythm |
48. |
11:00 |
11:13 |
Variation of C4 on effected guitars (one with sitar effect) |
Scot |
49. |
11:13 |
11:33 |
Rising pattern on electric guitar, with shouted semi-rhytmic vocals, with echo and slow attack synth sound |
50. |
11:33 |
11:54 |
Blues-style variation of F on guitar with prominent, simple bass line and glockenspiel, percussion, guitar providing chords. |
51. |
11:54 |
12:04 |
Triplet phrase on two guitars coming through both channels (similar to Blue Saloon), with chords on electric piano and percussion. |
52. |
12:04 |
12:25 |
Call and response phrase between low acoustic/bass guitars variation of C and similar F-variation to 50 on higher electric guitars. |
53. |
12:25 |
12:30 |
Theme A on organ, with Blue Saloon style guitars. |
54. |
12:30 |
12:36 |
New variation of F on solo 12-string acoustic, over same guitars/percussion pattern |
55. |
12:36 |
12:45 |
Theme A on solo guitar (over same pattern), with TB-esque organ variation of F briefly at beginning of this section. |
56. |
12:45 |
13:06 |
Climax of this with Theme C variation on guitar, mandolin and synth-strings, over acoustic guitar BS style pattern. |
57. |
13:06 |
13:17 |
As 50, more or less, at 13:16, organ slide into: |
Didlybom |
58. |
13:17 |
13:26 |
Theme C in major key on organ, with acoustic guitar response |
59. |
13:26 |
13:33 |
Acoustic bass guitar half-scale into Theme C variation in call and response on banjo and piano |
60. |
13:33 |
13:45 |
+ High acoustic guitar chords, response on piano is joined by penny whistle. |
61. |
13:45 |
13:54 |
+ Guitars sounding like sitars in both channels, and extra bit of Theme C on banjo in call and response part. |
62. |
13:54 |
14:04 |
Variation of C in 'morris-dance' style on organs with acoustic guitar chords, percussion and bass.run into: |
63. |
14:04 |
14:08 |
Same chord pattern as 59-61 but with Theme A variation on wah guitars over top. |
64. |
14:08 |
14:13 |
Theme A but with part of Theme C on organ. |
65. |
14:13 |
14:22 |
With more syncopated chords on electric guitar and synths.and bass drum - with whistle into: |
66. |
14:22 |
14:32 |
As above, with guitar solo over top. |
67. |
14:32 |
14:51 |
Like 62, with guitars solo over top playing variation of Theme A. |
68. |
14:51 |
15:00 |
More Theme C variation, with guitar over top taken over by Theme C on organ at the end, with whistle into: |
Mad Bit |
69. |
15:00 |
15:09 |
Machine-style pattern on acoustic guitar and percussion, with spoken vocals in each channel (indistinct, appears to be 'Modern' and 'Hippy'.) |
70. |
15:09 |
15:19 |
Distorted guitar/bass chords variation of Theme G, with morse-code sound and spoken vocal 'I'm a bit busy', and tambourine four-beats-to-the-bar pattern |
71. |
15:19 |
15:28 |
As 69 |
72. |
15:28 |
15:38 |
Morse-code sound more prominent, Theme A variation in acoustic guitar chords |
73. |
15:38 |
15:47 |
Morse-code sound becomes faster, solo guitar over top (variation of E) |
74. |
15:47 |
15:56 |
As 69, with rising scale and crescendo on piano at the end. |
Russian |
75. |
15:56 |
16:11 |
Solo guitar tune over sound effects of glass of water being drunk and analogue bass drum sound. |
Hoover |
76. |
16:11 |
16:31 |
Call-and-response between two acoustic guitars, with glockenspiels and more FX |
77. |
16:31 |
16:45 |
New tune on guitars sounding like sitars (Theme G) over synths and percussion, slowing down back to: |
78. |
16:45 |
16:58 |
As 75, with sounds of teeth being brushed, yawning and sighing |
79. |
16:58 |
17:18 |
As 76, with high pitched solo guitar quietly. |
80. |
17:18 |
17:32 |
As 77 with modulation into: |
81. |
17:32 |
17:46 |
Theme G in new key, fuller chords and added guitars/synths and FX |
82. |
17:46 |
18:01 |
As 78 ending with sound of glass being smashed, into: |
Fast Riff |
83. |
18:01 |
18:44 |
Theme A (fast riff) on acoustic steel string, adding banjo and piano towards the end, with low held synth notes. |
84. |
18:44 |
19:57 |
As above, with guitar soloing over top (Theme C/E variations), more prominent synth chords. |
Lion |
85. |
19:57 |
20:04 |
Solo guitar slows down, shouted vocals (sounds like Solta! Solta!) over top of this. |
86. |
20:04 |
20:17 |
Another variation of Theme C on two guitars, over rolling bass gtr/drum rhythm. |
87. |
20:17 |
20:27 |
Rhythmic chords on guitars and synths over bass/drum rhythm |
88. |
20:27 |
20:37 |
+Theme E on glockenspiel, with acoustic steel string towards end |
89. |
20:37 |
20:57 |
Same guitar as 86, with higher solo guitar doubling, over prominent percussion rhythm (on toms, congas, woodblocks, triangle, BD) |
90. |
20:57 |
21:07 |
As 87 |
91. |
21:07 |
21:17 |
As 88 |
92. |
21:17 |
21:37 |
+distorted guitar, bass whistle (or pan pipes) (Theme E), cymbals, rockier feel, with another glass-breaking effect into: |
93. |
21:37 |
21:48 |
Theme F variation on solo guitar, over machine-like percussion sounds (scraper, woodblock, toolkit). |
94. |
21:48 |
21:57 |
+Theme E on bass whistle |
Fast Waltz |
95. |
21:57 |
22:04 |
Variation of Theme B on low piano, electric piano and low acoustic guitars, with faster variation on treble part of piano (reminiscent of TB arpeggio), loud gun/firework-like snapping sound into: |
96. |
22:04 |
22:10 |
Piano becomes more prominent, ending with acoustic guitar run into: |
97. |
22:10 |
22:23 |
Theme B on acoustic guitar, flamenco style (as 6) |
98. |
22:23 |
22:30 |
Second part of flamenco/fast waltz tune (new tune, but still classed as part of Theme B), with countermelodys on two other guitar and piano downward gliss into: |
99. |
22:30 |
22:43 |
Fast, complicated solo variation of B over same bodhran/handclap rhythm and bass line. |
100. |
22:43 |
22:50 |
Solo subsides to double bass line, glockenspiel and high overdriven guitar question and answer another Theme C variation. |
101. |
22:50 |
23:03 |
3/4 variation of C4 on piano and guitars, with low held synth notes and rising pentatonic (?) scale on acoustic guitar into: |
102. |
23:04 |
23:17 |
as 97 and 98, with solo guitar over top |
103. |
23:17 |
23:20 |
wierd synth FX and morse-code sound from earlier over flamenco rhythm |
104. |
23:20 |
23:23 |
High pitched guitar variation of B |
105. |
23:23 |
23:30 |
Flamenco variation of C on overdriven guitar with rhythmic piano chords |
106. |
23:30 |
23:43 |
As 101, with guitar solo at beginning |
Stop |
107. |
23:43 |
23:52 |
Fast acoustic guitar riff (not theme A) with distorted synth/guitar chords (as earlier) |
108. |
23:52 |
24:01 |
Same, with guitar soloing Theme C variation over it. |
109. |
24:01 |
24:14 |
Piano and acoustic guitar major version of this riff, with arpeggios on piano. |
110. |
24:14 |
24:24 |
Same, with syncopated distorted guitar chords and acoustic guitar solo. |
111. |
24:24 |
24:33 |
As 108 |
Mad Bit 2 |
112. |
24:33 |
24:47 |
Similar to 69, but with the machine-like sounds coming in gradually and reaching a crescendo. |
Fast Waltz 2 |
113. |
24:47 |
25:07 |
Climax of Theme B (fast waltz flamenco) on guitars, bass, percussion, glockenspiel, ending with high acoustic guitar run into: |
Mandolin |
114. |
25:07 |
25:16 |
Cowboy-style bit with gun-shot/firework sound at beginning and strummed acoustic guitar/piano chords, yet another variation of C |
115. |
25:16 |
25:25 |
Same with piano arpeggios at beginning |
116. |
25:25 |
25:33 |
Descending pattern in arpeggios on guitars/piano |
117. |
25:33 |
25:51 |
Same as 115 without piano and adding penny whistle doubling main melody |
118. |
25:51 |
26:07 |
Heavy, percussive piano chords and acoustic guitar underneath variation of F on solo guitar |
Intermission |
119. |
26:07 |
26:20 |
'Intermission' with whispered spoken vocals in all three channels saying different things (left - 'Not to be listened to by cloth eared nincompoops, centre - recites track listing, right - makes some kind of speech, the point of which I'm not sure of) |
120. |
26:20 |
26:23 |
Piano enters with variation of B over the last part of the whispered vocals. |
Boat |
121. |
26:23 |
26:28 |
Vocals drop out and piano is joined by organ (?). |
122. |
26:28 |
26:56 |
Joined by bodhran in 'riverdance' style pattern, and glockenspiel from 26:37. |
123. |
26:56 |
27:14 |
Same Theme F variation as 43 played slowly on low string/synth |
124. |
27:14 |
28:09 |
F variation now broader on piano, and alternates with Theme A played first on just piano, then guitar, then piano, guitar and penny whistle. |
125. |
28:09 |
28:31 |
Theme C now on solo guitar, ending with held note and dying out to allow piano/bodhran transition to: |
126. |
28:31 |
28:45 |
Theme A on whistle/pan pipes and acoustic guitars |
127. |
28:45 |
29:00 |
Theme A broadens and climaxes on electric guitars, with crashing cymbals and prominent synth chords. |
128. |
29:00 |
29:08 |
As 122, without bodhran, with mandolin run-in to: |
129. |
29:08 |
29:27 |
Same F variation on mandolin, with full stop at end to go into: |
Intro Reprise 2 |
130. |
29:27 |
30:00 |
Theme C sung by choir as earlier, with echo, over sound FX of walking feet. |
131. |
30:00 |
30:08 |
+Theme D on solo guitar and high synth strings |
132. |
30:08 |
30:23 |
As 130 with low organ notes and C4 at the end with choir doubled by glockenspiel |
133. |
30:23 |
30:43 |
As 130 and 131, with higher pitched solo guitar, ending with sound of door closing into: |
134. |
30:43 |
30:55 |
As 130, with synth playing Big Ben chimes-style tune. |
135. |
30:55 |
31:20 |
C4 doubled by marimba |
136. |
31:20 |
31:28 |
As 131 with low synth sound doubling last few notes |
137. |
31:28 |
31:42 |
As 132, without glockenspiel |
138. |
31:42 |
31:52 |
Guitar solo over top. |
139. |
31:52 |
32:06 |
Choir drops out and is replaced by low synth in right-channel (vocoder?), with sound of slap/door into: |
Big Roses |
140. |
32:06 |
32:23 |
Fairground-style bit with penny whistle and accordian variation of C |
141. |
32:23 |
32:40 |
Solo guitar variation of F over this, with acoustic guitar chords joining backing, with cymbal trill into: |
142. |
32:40 |
33:14 |
Chanted vocals (Sondela), with screaming guitar soloing over it, and weird guitar FX at various points, including distorted guitar panning briefly through each speaker, ending with modulation to: |
Green Green |
143. |
33:14 |
33:33 |
'Sondela' is now sung to a riff that sounds very much like the piano at the end of Sunjammer (TB2) . Glockenspiel plays slower countermelody with it. |
144. |
33:14 |
34:25 |
New vocal part doubling (harmonically) glockenspiel enters ('Torn, torn'), alternating with rising melody on wah-guitar. This fades out and is taken over by: |
Slow Waltz |
145. |
34:25 |
34:50 |
New Theme H electric piano, with acoustic guitar chords and scraping noise. |
146. |
34:50 |
35:15 |
Glockenspiel takes over playing half-scales (possibly a variation of F or C) |
147. |
35:15 |
35:39 |
Theme C on bass whistle, with electric piano countermelody underneath |
148. |
35:39 |
36:04 |
Theme H on electric guitars and mandolin, reaches climax. |
Lion Reprise |
149. |
36:04 |
36:14 |
As 86 without C variation on guitars |
150. |
36:14 |
36:24 |
As 87 |
151. |
36:24 |
36:35 |
Similar to 88 without acoustic guitar, but with bass whistle playing rest of Theme E, and slightly different chord pattern on guitars. |
152. |
36:35 |
36:45 |
Theme E drops out, guitar solo (variation of F), with bass whistle countermelody |
153. |
36:45 |
37:05 |
Fast complicated guitar solo takes over, with same C variation as 86 on guitars underneath. |
Mandolin Reprise 1,2,3 |
154. |
37:05 |
37:12 |
Arpeggios on guitars, with acoustic guitars underneath, gets gradually louder and faster and goes into: |
155. |
37:12 |
37:28 |
As 114 without gun/firework sound |
156. |
37:28 |
37:43 |
Similar to 118, but faster and with slightly different piano chords. |
157. |
37:43 |
37:47 |
Tune from 155 reaches a cadence. |
158. |
37:47 |
37:55 |
Strange section with lots of noises, percussion, sound effects, shouted vocals making machine like sound |
159. |
37:55 |
38:02 |
+Theme C on synth strings and recorder. |
160. |
38:02 |
38:10 |
Same, with Theme C now on low pizzicato strings (synth?) |
161. |
38:10 |
38:17 |
As 159. |
162. |
38:17 |
38:25 |
As 160 with 'growling' solo guitar in background playing Theme A variation. |
163. |
38:25 |
38:31 |
As 158, getting faster and coming to stop with sound of breaking glass again. |
164. |
38:31 |
38:39 |
Fast section with tune on guitars and banjos, with bodhran/conga/acoustic guitar chords panning between each speaker. |
165. |
38:39 |
38:46 |
As 154 but very fast, with guitar soloing over top. |
TV-AM |
166. |
38:46 |
39:17 |
12/8 rock section with distorted guitar variation of C in 12 bar blues pattern, with weird FX including ringing phone and guitar sounding like engine underneath it. |
167. |
39:17 |
39:50 |
Relaxing acoustic guitar melody, with occasional synth strings and glockenspiel |
Fast Riff Reprise |
168. |
39:50 |
40:02 |
Theme A on acoustic guitars and distorted guitars. |
169. |
40:02 |
40:15 |
Same but starting with first few notes of Theme E on distorted guitars/synth |
170. |
40:15 |
40:27 |
Whole of Theme E once only in different key to 169. |
171. |
40:27 |
40:39 |
Starts with heavily distorted guitar playing variation of Theme A |
172. |
40:39 |
41:04 |
Theme E as 170 alternates with distorted guitar solo from 171. |
Hoover/Scot |
173. |
41:04 |
41:21 |
12/8 section with variation of Theme F on bass and guitar, with glockenspiel and finger-snaps. |
174. |
41:21 |
41:35 |
Back to 4/4 with disparate western-style guitar notes and interspersed with machine-like guitar from 'Mad Bit', and pulsating single note bass line |
175. |
41:35 |
41:55 |
As 173 |
176. |
41:55 |
42:08 |
As 172 with variation of A on sitar guitar opening, and slow-attack synth sound bringing crescendo to: |
177. |
42:08 |
42:23 |
Seven heavy percussive knocks and shouts, followed by same disparate guitar sounds over synth modulations/pitch bends, resolving to major. |
Boat Reprise |
178. |
42:23 |
42:30 |
Reggae style chords on synth strings in major key. |
179. |
42:30 |
42:51 |
Theme G on fretless bass guitar over this, with mandolin run in going to: |
180. |
42:51 |
43:08 |
Variation of Theme F on mandolin. |
181. |
43:08 |
43:21 |
Theme F on solo guitar. |
182. |
43:21 |
43:33 |
Short fast piano tune, going into Theme E in chords, with screaming guitars resolving to: |
183. |
43:33 |
43:50 |
Theme C climax on screaming guitars with very fast, percussive, flamenco-style acoustic guitar chords. |
Intro Waltz |
184. |
43:50 |
44:13 |
Theme A climax on screaming guitars in stirring military style with drums and timpani, and 'Happy?' breaking it up. |
Green Reprise |
185. |
44:13 |
44:39 |
As 144 without glockenspiel or percussion (vocals and synth only). |
186. |
44:39 |
44:47 |
+Theme C on solo guitar, vocals come to complete stop and is taken over by: |
Africa I |
Far Build |
187. |
44:47 |
44:54 |
African-style drum rhythm on congas/bodhran/african drums, with brief almost shouted vocals going into: |
188. |
44:54 |
45:24 |
Theme C majestically on vocals (So far so), with synth chords |
189. |
45:24 |
45:38 |
+Chanted vocal. |
190. |
45:38 |
45:52 |
+Syncopated guitar chord pattern. |
191. |
45:52 |
46:07 |
Guitar drops out, glockenspiel and synth countermelody |
192. |
46:07 |
46:23 |
Bass guitar solo, with theme A over it on solo guitar, ends on slapped bass guitar into: |
193. |
46:23 |
46:36 |
Synth drops out, occasional slapped bass, handclaps panning between both speakers. |
194. |
46:36 |
46:41 |
Synth and guitar move to cadence and modulation into new section: |
195. |
46:41 |
46:54 |
More sound effects - ringing telephone, with shouted vocals (Piltdown Man-style), over second half of Theme C. |
196. |
46:54 |
47:12 |
C4 (as earlier, without repeated notes) alternates with Piltdown Man's shouts. |
197. |
47:12 |
47:26 |
All parts of Theme C together in choral style, with cymbal crashes. |
198. |
47:26 |
47:40 |
+Variation of C on piano. |
199. |
47:40 |
48:02 |
Machine like sounds, whirring, scraping, with loud distorted guitar (engine sound), over second half of C (as 195), guitar slide goes into: |
Far Dip |
200. |
48:02 |
48:33 |
Theme C (as 195) on effected vocals, with 'morse-code' on high synth-brass sound. |
201. |
48:33 |
48:46 |
As above, in new key. |
Pre-Climax |
202. |
48:46 |
48:54 |
Theme C hummed, with marimba joining African-style rhythm. |
203. |
48:54 |
49:16 |
Same, with shouted, semi-chanted vocals (played backwards alternate times), with weird solo on effected guitar. |
204. |
49:16 |
49:33 |
Vocals drop out, organ modulates into: |
12 Climax |
205. |
49:33 |
49:48 |
Theme C on vocals again, with TB-esque piano riff, and occasional guitar. |
206. |
49:48 |
49:51 |
Piano/guitar variation of C modulates theme |
207. |
49:51 |
50:06 |
Theme C on guitar with chanted vocals (So far so far so far) behind it, and backwards guitar. |
208. |
50:06 |
50:24 |
Same variation of C on glockenspiels, joined by vocals, guitar, synth, builds up and modulates once again into: |
Climax I |
209. |
50:24 |
51:01 |
Guitar solo of this variation of C, gradually building up to climax, and is taken over at that point by: |
Africa II |
Bridge |
210. |
51:01 |
51:17 |
Ommadawn-style drum rhythm, with piano/glockenspiel arpeggios and variation of C (or F) on high acoustic guitar (or mandolin). |
Riff |
211. |
51:17 |
51:35 |
Major key variation of fast riff on acoustic steel string guitars. |
Boat 3 |
212. |
51:35 |
51:52 |
Theme B variation on piano (as 122) with high (solo) guitars playing variation of theme D, quietly at first, reaching crescendo. |
Bridge II |
213. |
51:52 |
52:10 |
Piano/glock arpeggios from 210 come back, with variation of C on distorted guitars (in chords). |
Climax II |
214. |
52:10 |
52:27 |
Ommadawn drums only, with fairly prominent chord sequence on synth, growing slightly louder towards end |
215. |
52:27 |
53:01 |
'The Bell' style riff on guitars, synth and marimba (another variation of C). |
216. |
53:01 |
53:13 |
+same C variation as 36 (and other places) on accordian sound underneath. |
217. |
53:13 |
53:36 |
This variation alternates between solo guitar and synth, before everything except the Ommadawn drums dies out, giving way to: |
218. |
53:36 |
53:54 |
Theme A climax on tubular bells over 'Bell'-style riff. |
219. |
53:54 |
54:08 |
+Screaming guitar solo over TB's, with cadence/modulation into: |
220. |
54:08 |
54:23 |
More screaming guitar solo, this time variation of theme F, which reaches climax and comes to complete stop before: |
Africa III |
Hello Everyone |
221. |
54:23 |
54:35 |
As 187 without vocals. |
222. |
54:35 |
55:07 |
Spoken 'Maggie Thatcher' vocal over this, adding echo about half way through. |
223. |
55:07 |
55:50 |
Semi-chanted shouted vocals, first off only in left channel, then joined by right channel, then mid-channel, so it becomes theme C. Thatcher speech continues over this but dies out. |
Choir |
224. |
55:50 |
56:19 |
Theme C, as described above. |
225. |
56:19 |
56:48 |
'Sondela' chanted by African choir to same rhythm as vocoder from earlier, with celebratory whooping and cheering African voices. |
226. |
56:48 |
57:17 |
As 224, with more voices added. |
227. |
57:17 |
57:30 |
Same vocals chant second half of theme C, with semi-rhythmic almost spoken female vocals in right channel. |
Recorder |
228. |
57:30 |
57:38 |
Variation of C on solo recorder (similar to 'fairground' sequence from earlier). |
229. |
57:38 |
57:45 |
+Thatcher vocal over this. |
230. |
57:45 |
57:57 |
Thatcher 'tap-dances' (percussion), with laugh and sound of breaking glass at end |
231. |
57:57 |
58:14 |
Recorder solo again, with echo. |
Happy |
232. |
58:14 |
58:44 |
As 227 with 'Happy?' and laughter. |
Finale |
233. |
58:44 |
59:12 |
Theme C as 188, but broader. |
234. |
59:12 |
59:41 |
+Acoustic guitar chords (in same pattern as African drums), Theme C sung by full chorus. |
235. |
59:41 |
60:02 |
Final climax with rising arpeggiac sequences on TB's, glock, guitars, keyboards, screaming solo guitar variation of A, and theme C to end. |