|1. Chord sequence from Tubular Bells part 2 during the Piltdown Man section is used as riff in fuzz guitar section of Hergest Ridge part 2.
||14'29 - TB Part 2
11'58 - HR Part 2
|2. Opening sequence for Tubular Bells is heard in opening of song Five Miles Out.
|| 0'00 - TB Part 1
0'10 - FMO
|3. During solo in live Tubular Bells part 1 from album Exposed solo quotes Hergest Ridge and Ommadawn.
||10'53 to 11'17 (solo) - Live TB
11'23 - HR
6'11 - O (amongst other times)
|4. Tubular Bells end bass riff quoted in Charleston from Platinum album.
Thanks to Adam Cohen.
|17'23 - TB
2'07 - Charleston
|5. The "Horseback" theme used in the song at the end of Ommadawn part 2 which Mike once referred to as his "walking theme" appears many times in his music.
||(0'00)- The Horse song
13'56 - O part 2
4'40 - First Excursion
7'24 & 7'43 - Taurus 1
OTHERS ??? (I know there are - sorry haven't found them yet)
|6. Bass line in Incantations part 4 under the Marimba section is used again in Taurus 1 (QE2). This idea of this bass line however, is obvious also in Hergest Ridge.
||1300 - I part 4
334 - Taurus 1
238 - HR
|7. Conflict (QE2) synth solo is used at beginning of Orabidoo (Five Miles Out)
|| 2'02 - Conflict
0'54 to 1'20 - Orabidoo
|8. One of the many themes from Amarok is heard quite clearly in She Moves Through the Fair (Voyager). It is played on a violin on the right hand side.
|| 37'54 - A, is a good example
3'15 - She Moves Through the Fair
|9. Another theme from Amarok is used as the basis for "Let there be light" melody (TSODE).
|| 8'37 - A, on a pipe
9'44 - A, on Electric guitar.
0'10 - LTBL, though it appears many times throughout the album.
|10. The theme from The Wind Chimes (Islands) is quoted in Amarok.
|| 013 - TWC part 1
1245 - A, though the harmony is different
|11. During Conflict (QE2) the synth quotes the last movement (called Badinerie) from the Suite No. 2 in B Minor, BWV 1067, written by J.S. Bach.
|| 107 - Conflict
|12. Incantations part 3, over the long guitar solo can be heard the theme from Hergest Ridge part 2 being played very slowly on high strings. Though not identical it follows the same updown movements.
|| 3'15 - HR part, on voices
2'34 - I part 3
|13. Part of the guitar solo in Incantations part 3 is used again as the intro to Punkadiddle (Platinum)
|| 3'54 - I part 3
0'00 - Punkadiddle
|14. Pipe tune (B-Side to Cuckoo song) quotes a theme from Incantations.
|| 2'38 - I part 1
2'48 to fade - Pipe Tune (it also ends I part 1)
|15. During solo in live Guilty (Exposed), two sections of Incantations are quoted.
|| 4'05 to 4'27 - Guilty
11'24 - I part 3
9'41 - I part 4
|16. Music for the video wall (B-side to Magic Touch) quotes the beginning of Evacuation from the Killing Fields - using the same Fairlight sound.
|| 2'26 - MFTVW
0'00 - Evacuation
|17. Well if we are talking of quotes, in the lyrics of No Dream from Heavens Open, two of Mikes previous songs - Shadow on the Wall (Crises) and The Time Has Come (Islands). After SOTW we even get a similar heavy guitar sound to the original song.
|| 1'49 - No Dream (SOTW)
2'00 - No Dream (TTHC)